![]() Foreshadowing can take many forms and be accomplished in many ways, with varying degrees of subtlety. Where future events in a story, or perhaps the outcome, are suggested by the author before they happen. (Although it is technically a literary element, the term is only useful for identification, as part of a discussion or analysis of character it cannot generally be analyzed by itself.) which are directly and diametrically opposed to those of another character, usually the protagonist. (Related: figure of speech)Ī character who is meant to represent characteristics, values, ideas, etc. There are many techniques which can rightly be called figurative language, including metaphor, simile, hyperbole, personification, onomatopoeia, verbal irony, and oxymoron. Where an author interrupts a story in order to explain something, usually to provide important background information.Īny use of language where the intended meaning differs from the actual literal meaning of the words themselves. Where the audience or reader is aware of something important, of which the characters in the story are not aware. Where characters speak to one another may often be used to substitute for exposition. Conflicts can exist between individual characters, between groups of characters, between a character and society, etc., and can also be purely abstract (i.e., conflicting ideas).Ĭonditions, including facts, social/historical background, time and place, etc., surrounding a given situation.Įxaggeration or alteration of objective facts or reality, for the purpose of enhancing meaning in a fictional context. The outcome of any story provides a resolution of the conflict(s) this is what keeps the reader reading. (Although it is technically a literary element, the term is only useful for identification, as part of a discussion or analysis of structure it cannot generally be analyzed by itself.)Ī struggle between opposing forces which is the driving force of a story. The turning point in a story, at which the end result becomes inevitable, usually where something suddenly goes terribly wrong the “dramatic high point” of a story. Also refers directly to a description thereof. ![]() ![]() The author’s means of conveying to the reader a character’s personality, life history, values, physical attributes, etc. When discussing character, as distinct from characterization, look to the essential function of the character, or of all the characters as a group, in the story as a whole. The people who inhabit and take part in a story. Non-rhyming poetry, usually written in iambic pentameter. (This technique is often incorrectly called personification.) Where animals or inanimate objects are portrayed in a story as people, such as by walking, talking, or being given arms, legs, facial features, human locomotion or other anthropoid form. ![]() The person may not be “bad” or “evil” by any conventional moral standard, but he/she opposes the protagonist in a significant way. The repetition of consonant sounds within close proximity, usually in consecutive words within the same sentence or line.Ĭounterpart to the main character and source of a story’s main conflict. ![]() Where every aspect of a story is representative, usually symbolic, of something else, usually a larger abstract concept or important historical/geopolitical event. " Ji Yeon" was the first episode to intertwine flashbacks with flash-forward, although the flashback element was only clearly revealed to be in the past at the end of the episode, making its temporality a plot twist, albeit one that perhaps caused confusion among some viewers.Click here to study/print these flashcards.Ĭreate your own flash cards! Sign up here. The first episode to feature a flash-forward that was clearly shown to be one from the start was " The Beginning of the End". In Lost, the flash-forward technique was introduced in " Through the Looking Glass, Part 1", although it wasn't made clear that it was a flash-forward until the end of the episode. The flash-forward technique is used less frequently than its reverse, the flashback. A flash-forward (or prolepsis, also sometimes known as a flash-ahead) in a narrative occurs when the primary sequence of events in a story is interrupted by the interjection of a scene representing an event expected, projected, or imagined to occur at a later time. ![]()
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